Liquid Architecture is an Australian organisation for artists working with sound.

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PO Box 12315 VIC 8006

Luciano Chessa in Concert
voice, grand piano, and electronics

WED 23 May 2018
Italian Cultural Institute Melbourne
Speeches Punctuated with Resounding Slaps
resisting the violent, discriminatory and totalitarian order that fascism seeks to consolidate.

THU 24 - SAT 26 May 2018
see schedule
West Space, Melbourne
Luciano Chessa: Cromlech
cromlech indicates a megalithic structure built with large flat stones for religious purposes

MON 28 May 2018
7PM - 9PM
Melbourne Town Hall
Sound Series: Gerard Crewdson – Serpent Songs / Windshadows
wind of shades, of ghosts, blowing over the genocidal landscape

WED 20 Jun - SAT 7 Jul 2018
12PM - 6PM
Blindside, Melbourne
Demdike Stare, Ava, Kane Ikin, Nina Buchanan
industrial occult and concrète

SUN 24 June 2018
8PM – 12PM
Howler, Melbourne
Pan Daijing, Corin, T.Morimoto, Waterhouse, Match Fixer
Searing soul exposure via purgative voice, synth, noise

SAT 30 Jun 2018
7PM – 11PM
Northcote Uniting Church, Melbourne

Rashad Becker, One & One, A/Sweat, SLX/ASYMM, Mel Lake
‘Formless and over-rendered speculations’ traded in perpetuity

SAT 12 May 2018
9PM - 2AM
Ancient World, Adelaide
KLEIN, Various Asses, Netti, Kandere, DJ Spunkgunk
THU 10 May 2018
8PM – Late
The Gasometer Hotel, Melbourne
Klein (DJ), DJ Asps, Yumgod
WED 9 May 2018
8PM - Late
Lazerpig, Melbourne
Alchemix x LA: Rashad Becker Workshop
multilayered narratives populated by an ensemble of sonic entities.

WED 9 May 2018
7PM - 9PM
Alchemix Studios, Brisbane
Sound School x LA: Klein (UK)
TUE 8 May 2018
6PM – 8.30PM
Siteworks, Melbourne
Sound School x LA: Rashad Becker (DE)
MON 7 May 2018
6PM – 8.30PM
Siteworks, Melbourne
exploring non cognitive modes of understanding and saluting the magic and mythology of the club

SUN 6 May 2018
3PM - 1AM
The Tote, Melbourne
Rashad Becker, Keith Fullerton Whitman, Fia Fiell, Th Duo Trio
‘Formless and over-rendered speculations’ traded in perpetuity

SAT 5 May 2018
7PM - midnight
Northcote Uniting Church, Melbourne
Thembi Soddell – ‘HELD DOWN, EXPANDING’
Exposing a single viewer at a time to a multifaceted array of disintegrating inner voices.

SAT 5 & SUN 6 May 2018
9AM - 5PM
69 Fraser St, Clunes
Klein, Rashad Becker, Jikuroux, Fia Fiell, Germ Studies, Gas
Unhinged transmissions of sublime spectral tones mistranslated; harking toward a galactic dive bar

FRI 4 May 2018
7PM - late
Red Rattler, Sydney
Klein AUS
Making folklore out of reality TV

Polythinking: Brötzmann/Leigh; Clare Cooper; Betty Apple; Ducklingmonster
SUN 29 Apr 2018
6PM - 10PM
The Tote, Melbourne
Polyphonic Social 2018: Thembi Soddell – ‘HELD DOWN, EXPANDING’
Exposing a single viewer at a time to a multifaceted array of disintegrating inner voices.

THU 26 - SUN 29 Apr 2018
10AM - 6PM
Industrial School (rear entry), Abbotsford Convent, Melbourne
Polyphonic Social: The Unsingularity
THU 26 - SUN 29 Apr 2018
Abbotsford Convent, Melbourne
Polythinking: AOYE
Áoyè (熬夜) means “to stay up all night” in Taiwanese

FRI 27 Apr 2018
8PM - late
Copacabana International, Melbourne
Polythinking together through installations, conversations, music and experimental pedagogy.

THU 26 Apr - SUN 6 May 2018
Abbotsford Convent; The Tote; Copacabana International, Melbourne
Rashad Becker AUS / NZ
spectral sonic ideals, man-machine ecologies, ritualistic tones, notional electronics...

Lecture: Betty Apple
A lecture by Taiwanese artist and DJ Betty Apple

TUE 24 Apr 2018
12:30PM - 2PM
RMIT, Melbourne
Betty Apple AUS
desecrating the imaginary historical burden and false symbols of race and history

Negative Volumes: Shining Abyss
The body as overflowing noise text

WED 11 Apr 2018
6PM - 9PM
ACCA, Melbourne
Jacob Kirkegaard: Labyrinthitis
by the artist's ears | in the ears of the listener

FRI 16 Mar 2018
6PM - 8PM
ACCA, Melbourne
Samson Young: extreme loudness over a long distance
Imitative counterpoint

THU 8 Mar 2018
6PM - 8PM
West Space, Melbourne
Anthropology of Bla(c)k Consciousness
Walking, talking, making and listening together as an act of collective solidarity

SAT 27 Jan 2018
11AM - 4PM
Blak Dot, Melbourne
Artist Talk: Anna Homler, Breadwoman + Megan Clune
making words musical and music like words

TUE 23 Jan 2018
Doors 6:30PM, Program from 7PM
Firstdraft, Sydney
Caitlin Franzmann: Tree-telling 2018
Seven hand-crafted divination cards and seven sonic compositions at MPavilion.

MON 22 Jan - SUN 28 Jan 2018
see schedule
MPavilion, Melbourne
Black Quantum Futurism: Moor Mother and Rasheedah Phillips
experimental noise poems speaking to violence and the radical political struggles of black history.

FRI 19 Jan - SAT 27 Jan 2018
Hobart, Melbourne
Anna Homler: Breadwoman in AUS & NZ 2018
Both a voice and language arising… a cosmic storyteller so old she’s turned into bread...

FRI 19 Jan - FRI 2 Feb 2018
Hobart, Sydney, Melbourne, Auckland
Anna Homler (AKA Breadwoman) with Mark Harwood & Matthew Hopkins
she is the voice, and the voice is cosmic reality’s musicality

SUN 14 Jan 2018
1PM - 2:30PM
All Are Welcome, Melbourne
Howie Lee with Corin, Nico Niquo, Jale, Wa?ste and Makeda
Sinofuturism and cybernetic textures

FRI Jan 12 2018
730PM – 1AM
Entering Tone: Liquid Architecture x Taiwan 2017
“making listening”, “making sound”, as we seek to enhance our capacity to perceive subtle tonalities

THU 23 Nov - SUN 3 Dec 2017
Tainan, Taichung, Taipei
Sound Spaces: Chloe Alison Escott with Makiko Yamamoto vs. Magic Steven
strange, fruitful and rarely visited spaces near the intersection of experimental sound and comedy

SAT 18 Nov 2017
3PM - 5PM
Monash University Museum of Art, Melbourne
Obsidian: Sydney
a scattershot of experimental electronics, in Sydney

SAT 11 & SUN 12 Nov 2017
see schedule
Marrickville Bowls Club / Tek Minimal, Sydney
Obsidian: Melbourne
a scattershot of experimental electronics, in Melbourne

SAT 4 & SUN 5 Nov 2017
see schedule
The Curtin / The Tote, Melbourne
Tetsuya Umeda [JPN]
dynamic and uncanny environments through the manipulation of architecture, objects, sound and light.

MON 30 Oct - SAT 4 Nov 2017
11AM - 5PM
The Substation, Melbourne
Archives in Motion: Liquid Architecture at TarraWarra
a voice, bells, violin, megaphone and electronic sound at a bus, museum and a lake's edge

SAT 28 Oct 2017
11AM - 5PM
Tarrawarra Museum of Art


  • Ava
    Disney narrativity science-core
  • Demdike Stare
    Fraying breaks, weird rhythmic textures, searing noise, all deployed in a listener-dazing sonic symbiosis
  • Gerard Crewdson
    Exploring non-hierarchical, open-ended, group composition and improvisation...
  • Kane Ikin
    concrete surfaces measured by pillars of bass
  • Luciano Chessa
    Italian composer, performer, conductor and musicologist
  • Match Fixer
  • Nina Buchanan
    blu-ray levels of vibrancy
  • Waterhouse
    string instruments and choral arrangements as innately human sounds


  • (no)signal
    (no)signal is a sound + media art collective operating out of Melbourne, Australia.
  • Acid House
    Acid House are an experimental collective based in New Taipei City. Their work encompasses music, performances and experimental conversations within a communal setting.
  • Adelle Mills
    Figures that act with skill wedge their voices in between rolling translations.
  • Áine O’Dwyer
    acts of listening and the search for alternative scorings through instruments, drawings, space, time, memory and the body
  • Al Burro
    toiling in industrial warehouses, lazing in ambient fields
  • Alex Cahill
    the marginalisation of animals by humans, animals as they exist only as forms and recycled clichés
  • Alex Cuffe
    Our abject humanness horrifies me, imagine all these people, these skin wrapped containers of meat communicating to each other their thoughts.
  • Alice Hui-Sheng Chang
    vocal groups as small social experiments in the diversity in human social interactions
  • Alrey Batol
    practical attempts to expose or rupture existing systems that operate and govern everyday life
  • Alterity Collective
    Our collective is giving light to the art/struggles/existence of queer people of colour in Australia, both indigenous to this land and from elsewhere.
  • Amelia Barikin
    As a material index of acoustic activity, the term 'sound fossil' has gained currency in the field of contemporary art both as a means of accounting for the appearance of the past in the present, and as an embodiment of cosmic time.
  • Amrita Hepi
    probing ideas of authenticity, the perpetuation of culture, tradition, and a ‘decolonial imagination’ - and questioning where this now resides.
  • Andrew Harper
    Babel (Azathoth) is a live working of found and hoarded elements (cassette recordings and outdated technology) that is hoped to reflect the disquiet and horror of the artist/performer at the temper of the times, and send a sonic ripple back to the makers of this horror: the present government of Australia (such as it is) and the forces further afield.
  • Andrew McLellan
    rather than being slowed down by your brain needing to figure out how to say the words first.
  • Angela Goh
    'Predictable Dances' is an ongoing project where for each performance Angela engages the services of a psychic to predict what will happen during the performance.
  • Angie Garrick
    Listening to my work conjures a feeling of a certain colour, perhaps a blue thats between blue and another, green and or purple. It wavers and moves between. My eyes are closed and this indigo landscape forms a silky texture in my mind. It slowly starts to rain and the colour dissipates into and oxen nothingness. The end.
  • Anja Kanngieser and Daniel Jenatsch
    sound and communication are shaped by, and shape, our relations to one another, to the architectures and infrastructures around us, to our larger atmospheres and ecologies, and to the forces of power and governance that we experience and intervene in
  • Ann Fuata
    !!CALL OUT!! Performers needed to participate in a live performance. It involves clicking, pausing and clapping. Please contact:
  • Anna Homler AKA Breadwoman
    Both a voice and language arising… a cosmic storyteller so old she’s turned into bread...
  • Anne-James Chaton
    phonetic rhythms, texture of words, reverberations into conversational territories
  • Anthony Lyons and Paul Fletcher
    freedom lying between or beyond tempered notes, rational rhythms and traditional instrumental forms
  • Anthony Magen
    Listening with your feet
  • Antoinette J. Citizen
    speculations on the current contemporary desire for the datafication of self-knowledge
  • Antonia Sellbach with Julie Burleigh and Alison Bolger
    The process of redaction freed the words from their literal reading
  • Antony Riddell
    aggressive physical impropriety, neurologically-disordered vocals, lyrical interventions, simultaneously absurd, yet strangely elegant
  • Armour Group
  • Astrida Neimanis
    Bringing feminist and queer theories to explore (and explode) environmental questions
  • Atong Atem
    Postcolonial practices in the diaspora, the relationship between public and private spaces and the politics of looking and being looked at
  • Aura Satz
    my works explore diagrams and traces; these become abstractions of presence. My previous projects looked at traces of voices, sound inscriptions, and writing techniques. I am primarily interested in traces that look nothing like their source and that give materiality to what is ultimately immaterial or imperceptible
  • Aurelia Guo
  • Ava
    Disney narrativity science-core
  • Basic House
    Sonic adventurer who experiments with captivating rhythmic and textured techno.
  • Ben Kolaitis
    subject: our symbiotic ontological relationship with sonic apparatus as a site where the human and the non-human meet
  • Berserk
    Berserk is a noise project initiated by Jared Xu
  • Beth Sometimes & Caroline Anderson
    Swiping left on the unintentionally-hilarious world of Tinder
  • Betty Apple
    desecrating the imaginary historical burden and false symbols of race and history
  • Bhenji Ra x Del Lumanta x Daryl Prondoso
    [cries in Ancient Tagalog]
  • Bigoa Chuol
    decolonising the pen
  • Black Quantum Futurism
    BQF is a new approach to living and experiencing reality by way of the manipulation of space-time in order to see into possible futures, and/or collapse space-time into a desired future in order to bring about that future’s reality
  • Bobuq
    encapsulating concepts of community-building, agitation, and the intersections of queerness, transness and Islam.
  • Bon Mott
    A transmutation into energy happens from an alchemical mixture of the corporeal, the spatial, the intangible and embodiment of the ghost of AC/DC’s singer/songwriter, Bon Scott.
  • Botanic Gordon
    Reel to reel tape, live radio samples, loops, vintage synth and homemade and modified sound trinkets
  • Brandon LaBelle
    questions of social life and cultural agency, using sound, performance, text and sited constructions
  • Brendan Walls
    the totality of the space
  • Brian Fuata x Enderie
    dead-pan humour + conceptualised kinetic works
  • Bridie Lunney
    contextualisation, engagement, combination, prescription
  • Bryan Phillips AKA Galambo
    electronic and acoustic sounds that help imagine the making of communal sonic rituals
  • Burnt Friedman
    Problems that have risen on the scrapheap of Modernity
  • Caitlin Franzmann
    ...the term vocal fry and its association with young women is another ‘excuse to dismiss, ignore and marginalise women’s voices, both literally and figuratively’.
  • Camila Marambio
    private investigator, amateur dancer, permaculture enthusiast, and sporadic writer
  • Camille Robinson
    Camille Robinson is here to listen
  • Caroline Anderson
    Screeds of crystallised information surprised me with its contents, issuing clues as to what was happening within.
  • Carolyn Connors
    At one factory, each worker was assigned a piece of wood. Each of the four sides was painted a different colour: black, white, yellow and blue. The piece of wood displayed the colour that corresponded to the quality of the worker’s work the previous day: black was bad, blue was so-so, yellow was good, and white was excellent. The daily colour for each worker was logged in a ‘book of colour’.
  • Carolyn Eskdale
    wall pressings
  • Catherine Clover and Peter Knight
    Unreliable Encounters in Jurong
  • Cecilia Vicuña
    “lo precario” (the precarious); transformative acts that bridge the gap between art and life, the ancestral and the avant-garde
  • Celeste Liddle
    Melbourne-based Arrernte woman and self-described Black Feminist Ranter
  • Chloe Alison Escott
    Singing ficto-critically about an imminently world-famous trans pop sensation
  • Chris Corsano
    one of the best drummers on the planet
  • Chun Yin Rainbow Chan
    the fake as a complex sign that shapes new myths, values and contemporary commodity production
  • Cinnamon Templeton
  • Clare Cooper
    Healing through improvised harp and open heart
  • Clare Milledge and Tom Smith
  • Claudia Nicholson
    straddling and celebrating contrasting cultures, popular and ancient.
  • Clocks and Clouds
    mesotonal microcosms
  • COCO SOLID AKA Jess Hansell
    Rapping, writing, cartooning = undoing colonial tokenism
    They were asked to consider the contradictions in sound, such as those found in film and Foley techniques and to consider that gender may be associated to particular qualities in sound, instruments and/or image.
  • Cordelia Crosbie
    Put your hands in the air
  • Corin
    CORIN is a gathering knot of permutations—the sound of something meticulously ruined and renewed.
  • Croatian Amor
    Croatian Amor AKA Loke Rahbek
  • Crys Cole
    The listener’s own self-consciousness as a perceptual body and agent
  • Danae Valenza
  • Debris Facility
    parasitic body corporate
  • Demdike Stare
    Fraying breaks, weird rhythmic textures, searing noise, all deployed in a listener-dazing sonic symbiosis
  • Dennis Del Favero
    the emergence of a new type of human and machine narrative
  • Dino
    A seminal figure in the second wave of the Taiwanese noise movement during the late-1990s
    Super friend duo sending wavelengths of creme fraiche scooped offa a pile of sweetened condensed milk in a vortex of TLCWhaleNoise with a contact mic taped between Janet Jackson's buttcheeks, Sadeism and MariahCareyism, equaling the goodness of greasy pizzaonthecouch X 880000000
  • DJ Deeluscious
    reclaiming your voice under oppression and capitalism.
  • Ducklingmonster
    to create a sonic environment that woozily answers the question "what does home sound like?"
  • Dylan Martorell
    a bowerbird aesthetic
  • Eddie Hopely
    (eg a triad of #branding, #recovery, and #evidence corresponding to then cycling through topos CS, WWAFMSL, E)
  • Ela Stiles
    The act of listening to my work is unpredictable, as I never play the same set twice or use all the same sounds or words, they are constantly changing and I myself don't know what I am going to do each time I play live.
  • Ellen Fullman
  • Ellena Savage
    Ellena Savage is an essayist, critic, and editor from Melbourne. She has been described as a “neurotic airhead”, and “better than Marx”.
  • Elysia Crampton
    We should be careful to consider exactly what future we are defaulting to, and what ways we have been taught to engage this default-future
  • Emma Ramsay
    various engagements with human and other communication
  • Ensemble Economique
    The only thing in focus,
    a sharp EE

  • Eric Avery
    The music of our ancestors in lines,
    drawings recordings,
    Songs need physical reality

  • Eric Demetriou and Herbert Jercher
    the sonic exploration of the Australian art of whip cracking
  • Eric Laska
  • Eugene Brockmuller
    6 of 1, Half a Dozen of the Other
  • Evelyn Araluen Corr
  • Evelyn Ida Morris
    musician, performer, LISTEN(ER) and advocate for women in Australian music
  • Evelyne Jouanno
    emergency has today become a worldwide and continuous hit
  • eves
  • Exotic Dog
    Mundane field recordings, human voice, mechanic clangs, broken microphone squeals, cheap or not cheap synths and found audio find their way onto the cassettes.
  • Faene (Corin x Ju Ca)
    Through non-verbal, alternate methods of expression, there is the capacity for ambient sound to further sculpt the presence of space by amplifying the experience of listening, so it is unavoidably present.
  • Félicia Atkinson
    improvisation, science-fiction, composition, chance, noise, abstraction and poetry
  • Feminist Theory Group
    FTG: Eva Birch, Katherine Botten, Aurelia Guo
  • Fernando do Campo
  • Fia Fiell
    conjuring a notion of childlike wonderment and trepidation in the face of an unmapped universe around us
  • Frances Barrett
    From here to hear.
    From here, as email. To hear, as script.
    From here, as silent artist**. To hear, performing Curator***.

  • Frances Dyson
    the resonance of voice has been exiled to places without people
  • Francis Plagne
    to jerk or throw underhand or backhand
  • Fujui Wang
    a pioneer of Taiwanese sound art
  • Gabi Briggs
    Shaving and shedding for cultural protection, intergenerational empowerment and black feminist truth
  • Gail Priest
    Gail Priest is an artist, writer and curator, for whom sound is the key investigative material.
  • Geoff Robinson
    the performance and spatial conditions of physical sites
  • Geoffrey Gartner
    'Scream! Scream! Scream! Scream! Scream! Scream!'
  • Georgina Criddle
    a voice from behind the great walls of brian
  • Gerard Crewdson
    Exploring non-hierarchical, open-ended, group composition and improvisation...
  • Germ Studies
    Alien landscapes resulting from the unlikely combination of 1980s Japanese synth and 1380s Chinese harp
  • Hanna Chetwin
    projector hum
  • Hannah Catherine Jones AKA Foxy Moron
    Myths (both ancient and modern), word-play, appropriation and voice (in song)
  • Hannah Lockwood
  • Harriet Kate Morgan
    Psychedelic death industrial act military position deals with modern and everlasting feelings of female and human subjugation.
  • Helm
    Helm AKA Luke Younger
  • Hikashu
  • Holly Childs
    Kemistry died (cat-eye reflector dislodged by a truck travelling ahead of the vehicle she was in)
  • Hou Hanru
  • Hsu Chieh
    Male, born in 1990, 181cm, Gemini, blood type A.
    Interests: shopping, karaoke, dance, watching movies.

  • Is There A Hotline?
    assemblage of percussive objects and electronica, evoking transportive atmosphere, psychic storms and quiet retreats
  • Islaja
    First ever Australian performance by Merja Kokkonen AKA Islaja, the brilliant Finish experimental musician with numerous releases on Fonal Record, Ecstatic Peace, Root Strata and Monika Enterprise.
  • Ivan Lisyak
    pop culture appropriation, techno, and heavy industrial aesthetics
  • J’Ouvert Ft Makeda and The AM Trio – Ece Yavuz, Alvin Rostant and R
    exploring the social legacies of Afro-indo Trinidad, and its unique relationship toward resistance with an ode to the country’s annual 3AM commemoration of slave abolition
  • Jack Prendergast
    Recreation of extinct animal vocalisations
  • Jackson Eaton
    Don’t miss this opportunity to hear Jackson Eaton himself tell the Jackson Eaton story.

  • Jacob Kirkegaard
    by the artist's ears | in the ears of the listener
  • Jacqui Shelton
    thinking about mining/”mine”ing.
  • Jake Moore
    Because they Sound: Granulation as Reanimation
  • James Grant
  • James Parker
    Eavesdropping and exposure: the twin frontiers of contemporary sonic warfare. What binds them together? Amongst other things, law’s complicity.
  • James Utting-Webb and Riley Lockett
    the balance of power from; Animal > Human to Human > Animal**
  • Jannah Quill
    ordinary digital interfaces and technological machines as materials to generate new experiences reinterpreted from the intended consumer use of the digitally banal
  • Jared Davis
  • Jasmine Guffond
    digital technologies, sonification and the aesthetisation of data as a means of artistically surveying contemporary surveillance
  • Jennifer Walshe
    Irish Dada-ist, composer and musical conceptualist, socially mediated / meditated performance art
  • Jeph Lo
  • Joanna Anderson & Michael Prior
  • Joe Banks
    the relation between techniques of recording and mechanisms of perception
  • Joel Maripil
    Joel Maripil is a traditional Mapuche singer or ülkantufe who have been singing, dancing and playing Mapuche musical instruments in the diverse musical practices linked to religious and non-religious activities held in traditional communities.
  • Johannes S. Sistermanns
    [Un - the World] unexpected unrepeatable unclosed
  • John Jenkin
    I Am Not An Animal
  • John-Joe Wilson
    Puritans, psychedelics and pigeons
  • Jonathan Kemp
    the elaboration of life coding strategies usually by way of some breton-brut sleights of hand
  • Joseph Jordania and Nino Tsitsishvili with Melbourne Georgian Choir
    outré scales and clashing dissonances characteristic of Georgian polyphony
  • Julia Chien
    Wèi Wáng is a voodoo lady living in Taiwan, the tiny jungle island-country in the midst of a the broad Pacific Ocean. This country is also known as Interzone 2.0.
  • Julia Drouhin and Pip Stafford
    Drouhin and Stafford use radios, transmitters, crystals, hurdy gurdy and field recordings in acts of sound divination and occult listening. Their collective interests lie in radio arts, auditory-spatial practices and the intersection of gender and emergent art forms.
  • Kai-Cheng Dai
    performance maker, spatial designer, translator, interpreter and cultural tour guide
  • Kalinda Vary
  • Kandere
    Kandere is the music duo of artists Lakyn Tarai and Ripley Kavara
  • Kane Ikin
    concrete surfaces measured by pillars of bass
  • Karli White
    an energy relative to a loud reverberating clang
  • Karolin Tampere
    Urban development, democracy, access to and the distribution of land
  • Kate Brown
    The processes ‘the body’ undergoes during a vocal performance are acknowledged by representing the body as a machinic entity via sound to combine present actions and potential connections within a continuum.
  • Kate Geck
    animation, textiles, installation, interactive, melbourne, australia m8
  • Kaya Hanasaki
    Kaya Hanasaki is an artist born in Tokyo, who's practice responds to contemporary social issues with performance, installation, workshop and media
  • Kiah Reading
  • Kim Satchell
    literature of place in the context of the coast and the Anthropocene
  • Klein
    Making folklore out of reality TV
  • Kraus
    I play guitar, drums, a home-made synthesizer, organ, bamboo flute and tape-loops. I live in Auckland, New Zealand. I like medieval and Renaissance music, Japanese traditional music, psychedelic music, electronic music 1950s-70s and rock and pop of the same era. And, etc.
  • Kym Maxwell
    recite verses in rounds expressing the interconnectedness of student to teacher, student to student and class to the community.
  • Kynan Tan
    What are the implications of being listened to at all times? What is the difference between being listened to
    by: nobody, somebody, a machine, an intelligent machine?

  • Lacking Sound Festival
    not a festival per se; rather, LSF is a regular sound performance event taking place in Taipei.
  • Lady Erica
    Australia's first lady of garage, grime and bass.
  • Lara Thoms
    How to piss off the music industry and the artworld - an exploratory model
  • Larrie
    holding down the coveted 1-3AM Saturday residency at Melbourne's Laundry.
  • Las Chinas
    Cosmic coincidences lead to the meeting of Chileans Sarita Gálvez and Camila Marambio
  • Lawrence Abu Hamdan
    the contemporary politics of listening – its relationship to power, borders, human rights, testimony and truth
  • Leena Riethmuller
    By accessing bodily information, participants will be given the opportunity to reflect on tacit knowledge, physical experiences and emotional states.
  • Lei Lei Kung
    She wakes, she speaks, more, more a(more!)
  • Leila El Rayes
    Severing the orientalist shackles of the exotic Other
  • Leila El Rayes x Poison
    examining the idea of being dissolved into a predetermined culture, exploring and reacting to exoticistation and otherness.
  • Libby Harward
    re-calling - re-hearing - re-mapping - re-contextualising - de-colonising and re-instating on country that which was denied.
  • Lilian Steiner
    Melbourne-based dancer and choreographer whose practice utilises the inherent intelligence of the active body
  • Lin Chi-Wei
    the aesthetic condition of sound and art in a post-colonial East Asian context
  • Linda Dement
  • Lisa Lerkenfeldt
    Working at the intersections of experimental noise, performance, beauty, cruelty, isolation and sexuality.
  • Lorna & Aunty Jenny Munro
    Radicalising Indigenous mother-daughter dynamics
  • Louis Kennedy
    tuned wires, corrugated iron roofing, lengths of PVC pipe, birdseed
  • Luciano Chessa
    Italian composer, performer, conductor and musicologist
  • Lucid Castration
  • Madboots
    Stomping the house down with internettish hip-hop and comedy
  • Magic Steven
    Treat Every Experience as a Lesson... To Open your Mind & Heart.
  • Makeda
    the new-left club sound
  • Marco Fusinato
    extended breakdown
  • Marcus Rechsteiner
    Time travel confuses me. When I see it in movies I get confused and think how is this possible. I also think it would be cool to see if Aliens did build the pyramids. I would also use it to see if Julius Caesar ate Caesar salads.
  • Maria Moles
    electronic manipulation of rhythmic structures played on the drum set, focusing on blending both acoustic and electronic instruments and objects
  • Marian Tubbs
    There is a party at Minerva 4/111 Macleay St, Potts Point this Saturday from 8pm-9:30pm. We hope you can make it. There will be some recording devices at the gallery.
  • Mark Brown
    relentless processes of the dematerialisation of matter despite the human struggle to contain time - the eternal eating machine
  • Mark Harwood
    Expect oblique concrete with splashing of dire comedy. Expect nothing.
  • Mark Pollard
    reconstructing mercury
  • Martin Howse
    discourse, speculative hardware (environmental data in open physical systems), code (an examination of layers of abstraction), free software and the situational (performances and interventions)
  • Martina Copley
    Sound, idea, object and modality are collated to set up a structural space for something to exist, a space in which the work moves towards an opening and at the same time asks questions about itself.
  • Masato Takasaka
    anyone who says that they're not making music for other people can kiss my ass
  • Match Fixer
  • Matka
    blend of rap and hip hop with bass music, world rhythms and thumping club tracks.
  • Matthew P. Hopkins & Julie Burleigh
    Handle Handel
  • Matthias Schack-Arnott
    cycles, orbits and the perception of time via colliding objects
  • Maysa Abouzeid
    Busting narrow-minded ableism one gag at a time