With more than a decade of experience to draw upon, Liquid Architecture combines the fragmented communities in which sound art practices occur, achieving cross disciplinary appreciation and critique. The practical objective of this strategy is to popularise and publicise sound culture through greater aggregate audience size and a higher profile, and to make sound culture more accessible to the community, particularly to youth and student audiences. Audiences currently include those engaged with contemporary creative practice, sound arts practitioners, music industry professionals, electronic music concert goers, academics, cultural theorists and students (post & undergraduate), youth audiences and enthusiasts of adventurous popular music.
Liquid Architecture popularises sound culture, particularly with young/emerging content producers within Australia's active student culture, in order to build not only future audiences but also future artists. Our rationale reflects an intense engagement with specialist and broader cultures, and the desire to make a contribution to those cultures. Sound practice is often cross disciplinary and Liquid Architecture reflects that, not only in the work presented but in the broad range of audiences it attracts.
The opportunities to network with national and international artists are an important means of generating future initiatives and cross cultural collaborations. The community is being exposed to some of the most exciting explorations occurring within sound culture that also happen to intersect with the media and fine arts. The exposure generated by Liquid Architecture is crucial in developing new audiences for the many discreet sound and experimental music communities currently operating around the country, and internationally.
Photo : M. Chamagne
