algorhythmically
determined
creatively
industrial
authentically
alternative
tenant
farmers
algorhythmically
determined
creatively
industrial
authentically
alternative
tenant
farmers
algorhythmically
determined
creatively
industrial
authentically
alternative
tenant
farmers
algorhythmically
determined
creatively
industrial
authentically
alternative
tenant
farmers
algorhythmically
determined
creatively
industrial
authentically
alternative
tenant
farmers
ALL THE MANY PEOPLS
milker

Jennifer Walshe

Jennifer Walshe is a composer, performer and visual artist of whom the Irish Times has said that “without a doubt, hers is the most original compositional voice to emerge in Ireland in the last 20 years”.

Every artistic movement from the beginning of time is an attempt to figure out a way to smuggle more of what the artist thinks is reality into the work of art. Zola: “Every proper artist is more or less a realist according to his own eyes.” Braque’s goal: “To get as close as I could to reality.” David Shields, Reality Hunger

“But here I’ve only discussed levels of self and identity looking inward. 
What makes 2012 so much more interesting than 1912 is that we now have
 this thing called the Internet in our lives, and this Internet thingy has, in the
 most McLuhanistic sense, become a true externalization of our interior selves: 
our memories, our emotions, so much of our entire sense of being and
 belonging. The Internet has taken something that was once inside us and put 
it outside of us, has made it searchable, mashable, stealable and tinkerable. The Internet, as described by William Gibson, is a massive consensual
 hallucination, and at this point in history, not too many people would disagree.” Douglas Coupland, “On Supersurrealism”

“Aesthetic experiences and objects are now dividing into the binary categories of downloadable and non-downloadable.” Douglas Coupland, “On Craft”

The popular preconscious…those ever-shifting contents which we may reasonably suppose can be called to mind by the majority of individuals in a given society at a particular moment in history; that which is ‘common knowledge.’ Victor Burgin, The End of Art Theory

“But the Internet, with its swift proliferation of memes, is producing more extreme forms of modernism than modernism ever dreamed of….this type of content is about the quantity of language that surrounds us, and about how difficult it is to render meaning from such excesses…These ways of writing—word processing, databasing, recycling, appropriating, intentionally plagiarizing, identity ciphering, and intensive programming, to name just a few—have traditionally been considered outside the scope of literary practice…..We don’t read: we skim, parse, bookmark, copy, paste, and forward. We become information hoarders and amateur archivists who frantically collect, store, and move artifacts that we’ll never interact with.” Kenneth Goldsmith “The Writer as Meme Machine”

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