Alice Hui-Sheng Chang (Taiwan) and Nigel Brown (Australia) create sound in performance and recordings as 12 dog cycle. They pair the breathing limitations of human voice and piano accordion, extending the voice through extreme unconventional technique and the accordion’s acoustic properties through preparations, extended techniques and live electronic manipulation.
Alan Lamb’s work involves the exploration of sound structures, neither musically "designed" nor of random occurrence. Such structures possess the properties of beauty, complexity and evocation of the emotional, the spiritual and the imaginary. On the whole, sound compositions arising from these aims are not intended to possess intellectual formalism.
Albert Mishriki is an artist and sound designer who builds sound sculptures and creates musical compositions featuring flutes, guitars, synthesisers, harps, kitchen junk, bicycle bits, bells, pieces of cars, springs, plastic pipes and umbrellas. 
Alex White is a sound artist hailing from Sydney, Australia who seeks to create music that teeters on the brink of complete chaos whist retaining barely discernible fragments of form or melody. Alex is also a community arts worker and currently co-directs Serial Space in Sydney. Alex co-directed Electrofringe in 2007 and 2008 and the Sydney leg of Liquid Architecture in 2008.
Alister Mew is a sound artist who has worked in a number of different areas including film, experimental and traditional theatre, video installation and performance. He has a background in classical music with wide ranging interests in sound. He is currently interested in fusing live acoustic elements with electronic processes.
Born in Samarkand, Uzbekistan (then U.S.S.R.), Andrew Pekler spent his teens in the USA before moving to Germany to attend university. His first sound experiments were released under the Sad Rockets moniker. 
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