algorhythmically
determined
creatively
industrial
authentically
alternative
tenant
farmers
algorhythmically
determined
creatively
industrial
authentically
alternative
tenant
farmers
algorhythmically
determined
creatively
industrial
authentically
alternative
tenant
farmers
algorhythmically
determined
creatively
industrial
authentically
alternative
tenant
farmers
algorhythmically
determined
creatively
industrial
authentically
alternative
tenant
farmers
Black Quantum Futurism: Moor Mother and Rasheedah Phillips
Afrofuturist noise, punk and poetry from two American visionaries who speak to the violence, trauma and radical political struggles of black history.

FRI 19 Jan - SAT 27 Jan 2018
Hobart, Melbourne

Black Quantum Futurism: Moor Mother and Rasheedah Phillips (Photo by Bob Sweeney)

Liquid Architecture welcomes to Australia for the first time Black Quantum Futurism (BQF), the radical Philadelphia-based collaboration of musician and poet Camae Ayewa (AKA Moor Mother) and writer and activist Rasheedah Phillips.

As BQF Ayewa and Phillips mobilise the revolutionary potential of Afrofuturist thought to manipulate and reorient perceptions of the past and present in ways that make alternative futures imaginable. Their vision derives its facets, tenets, and urgency from science-fiction, futurist traditions, and Black/African cultural traditions of consciousness, time, and space. BQF’s work incorporates workshops, radical pedagogy, community activism, DIY art practice, writing and experimental music.

Camae Ayewa is best known for her work as Moor Mother, a moniker through which since 2012 she has released music prolifically. The Moor Mother sound is deliberately abrasive; a noisy torrent of free jazz, hip-hop, poetry and punk (or, in her own words, ‘project-housing bop, slaveship punk, witch rap‘) collaged into experimental noise poems that speak to violence, trauma and the radical political struggles of black history. The album Fetish Bones, released in 2016, is already considered a contemporary masterpiece. Pitchfork described it as ‘a reminder of the hardships of love under the regime of historical trauma’ – an album ‘you will never be able to unhear’, and The Wire was moved to describe Moor Mother as ‘the most radical Afrofuturist artist to emerge for years’. 

Rasheedah Phillips is a community housing activist, a mother, writer, the creator of The AfroFuturist Affair, the co-creator of Black Quantum Futurism, and a founding member of Metropolarity Queer Sci-Fi collective. In 2014, she published her first speculative fiction collection, Recurrence Plot (and Other Time Travel Tales), followed by an anthology of experimental essays from Black visionary writers, Black Quantum Futurism: Theory & Practice Vol. I.

Photo by Walter Wlodarczyk
schedule

HOBART

FRI 19 January
PERFORMANCE: Moor Mother and Rasheedah Phillips
Main stage, MONA

SAT 20 January
WORKSHOP: Black Quantum Futurism: Quantum Time Capsule and DIY Time Travel
Thanatos, MONA

SUN 21 January
WORKSHOP: Black Quantum Futurism: Anthropology of Consciousness
Thanatos, MONA

SUN 21 January
PERFORMANCE: Faux Mo
MAC2, 18 Hunter Street

MELBOURNE

THU 25 January
PERFORMANCE: Moor Mother and Rasheedah Phillips
with Kandere, Papaphilia, Neil Morris, Sezzo Snot, Pauline Vetuna and Bigoa Chuol
The SUBSTATION, Newport

SAT 27 January
Anthropology of Bla(c)k Consciousness
Blak Dot, Brunswick

Acknowledgements

Liquid Architecture acknowledges Aboriginal and Torres Strait Islander people as the first owners of this country, and we recognise that sovereignty was never ceded. We pay our respects to their Elders, past, present and emerging.

partners

Black Quantum Futurism: Moor Mother and Rasheedah Phillips are presented in Australia by Liquid Architecture in partnership with The SUBSTATION, Still Nomads and MONA FOMA.

major supporters