algorhythmically
determined
creatively
industrial
authentically
alternative
tenant
farmers
algorhythmically
determined
creatively
industrial
authentically
alternative
tenant
farmers
algorhythmically
determined
creatively
industrial
authentically
alternative
tenant
farmers
algorhythmically
determined
creatively
industrial
authentically
alternative
tenant
farmers
algorhythmically
determined
creatively
industrial
authentically
alternative
tenant
farmers
Klein AUS
Making folklore out of reality TV




South London based musician KLEIN is an artist whose neoteric vision has seen her quickly become one of the UK’s most intriguing and unpinnable producers and performers. Her often playful and restive approach to composition is instantly alluring. Samples of obscure Nigerian B-Movies clatter into jagged beats. Distant piano loops lurk in the haze whilst beguiling vocals fade in and out of the sensory World she has created.

 

03.05 SYD Firstdraft
04.05 SYD Red Rattler
06.05 MEL PRECOG
07.05 MEL Lazerpig
08.05 MEL Sound School
10.05 MEL The Gasometer Hotel

Her debut album Only self released online, and via a heart shaped diamond USB stick by DIY label Howling Owl Records, and more recently the Lagata EP that has led her to be featured in Dazed and Confused, Wire, and i-D magazine; the latter of which premiered the beautiful Akinola Davies JR directed video for Marks Of Worship – a stunning five minutes piece of murky ambience dominated by a Whatsapp sermon sent from a Nigerian Aunt.

 

Tommy marks Klein’s deepest plunge yet into the ‘deep, dark ocean’ of her musical imagination on her Hyperdub debut. On Tommy her vocals play with fifties-esque melodies before switching to familiar tones akin to Brandy and Rodney Jerkins, her live voice and live piano playing, filtered through hyper glitchy and looped production with an loose, internal logic; cutting from angular atonality to pockets of skewered harmony. Tommy also steps things up in conceptual terms. Its eight tracks are broken down into acts that are rooted in themes of vulnerability, sisterhood and death, threading the chaotic sonics with modern operatic undertones and a Shakespearean sense of tragedy.

There’s a lot of bluster about originality in contemporary UK music and what rises from the noise here is a creative voice who, by her very nature plays with the construct of what pop is.

 

ritual community music

Folk, Noise, Electronics, Improvisation – how can radical music help us manifest new possibilities for thinking and imagine new ways of organising community through ritual behaviours, actions and languages? Music as a model for civil society—decoding metaphorical power structures, violence, empathy, ecstasy and cooperation.

acknowledgement

We acknowledge Aboriginal and Torres Strait Islander people as the custodians  of this land, and we recognise that sovereignty was never ceded. We pay our respects to their Elders, past, present and emerging.

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