algorhythmically
determined
creatively
industrial
authentically
alternative
tenant
farmers
algorhythmically
determined
creatively
industrial
authentically
alternative
tenant
farmers
algorhythmically
determined
creatively
industrial
authentically
alternative
tenant
farmers
algorhythmically
determined
creatively
industrial
authentically
alternative
tenant
farmers
algorhythmically
determined
creatively
industrial
authentically
alternative
tenant
farmers
Kiah Reading: Pure reason and bass
Questions responded to by the wrong answer, new versions of old ideas, understanding more or less.

SAT 13 Aug 2016
3pm-5pm
West Space
Level 1/225 Bourke St, Melbourne

FREE


When (audio) texts are fragmented and reduced to individual words, lines, ideas and pieced back together in a live, random, non-linear and never ending soliloquy, an infinite slippage is created based on the ambiguous side of language (as excess).

Even though there may be an infinite potency to language, the exercise is prone to taking place within the finite conditions of history, existence and grammar [1].  This WEBercise is a reopening of the indefinite, the act of exceeding established meanings and providing a moment for philosophical verses and soundFX to enter a zone where they lose their extrinsic references and coordinates and re-emerge confounded with new confusions.

Questions responded to by the wrong answer, new versions of old ideas, understanding more or less.

1. Berardi, F 2012, The Uprising : On Poetry and Finance, Semiorext(e), Los Angeles.

Kiah Reading is an Australian artist living in Lima, Peru.

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