algorhythmically
determined
creatively
industrial
authentically
alternative
tenant
farmers
algorhythmically
determined
creatively
industrial
authentically
alternative
tenant
farmers
algorhythmically
determined
creatively
industrial
authentically
alternative
tenant
farmers
algorhythmically
determined
creatively
industrial
authentically
alternative
tenant
farmers
algorhythmically
determined
creatively
industrial
authentically
alternative
tenant
farmers
Rashad Becker, One & One, A/Sweat, SLX/ASYMM, Mel Lake
‘Formless and over-rendered speculations’ traded in perpetuity, mythologised through repeated, synthetic pleasures.

SAT 12 May 2018
9PM - 2AM
Ancient World, Adelaide
116A Hindley St, Adelaide

$10 / $15 on the door

Photo: Camille Blake

Rashad Becker is a composer and musician residing in Berlin. His compositions are multilayered narratives populated by an ensemble of sonic entities, some smug, some shy, some agitators, others ready to surrender. Often there’s a tragic-comical touch, like a cartoon version of what could be a requiem from a dream (or just as much a fertility dance from another dimension).

Recent works include the cycle ‘Traditional Music Of Notional Species’ released across two volumes on PAN, and a multi-part work called ‘Based On A True Story’ that derives scores from historical occurrences in a sort of ‘sonic staging’. in this context, he is currently commissioned by New York-based ensemble Alarm Will Sound and Derlin string ensemble Kaleidoskop.

Rashad is mainly active as a solo artist but finds himself in a series of permanent collaborations alongside Eli Keszler, Moritz von Oswald and as a member of the formation Moleglove. Other and more sporadic collaborators have been Okkyung Lee, Andre Vida, Ashley Paul, and Valerio Tricoli.

“Becker’s deft manipulation of the oddball sounds he creates allows him to elevate what could have been hazy sketches into the realm of high art”—The Quietus

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