rather than being slowed down by your brain needing to figure out how to say the words first.

Andrew McLellan is a musician, artist and broadcaster. Andrew’s musical identities include the solo sample-based electronic sounds of Enderie, and the 4-piece post-punk act Cured Pink. Andrew has cut up language, conceptualised kinetic works and pumped big beats for Melbourne's Liquid Architecture, Belgium’s Kraak and Sound In Motion, the Sydney Opera House, VIVID Live, Underbelly Festival, St. Jerome's Laneway Festival, Next Wave Festival, and the Jogja National Museum. Releasing music across numerous labels and formats, Andrew performs extensively across the Australian underground music circuit while working in the community radio sector.

A sound designer, composer and audio engineer for various sound recordings and other artists, Andrew is credited to works that have appeared at the Art Gallery of New South Wales; Biennale of Sydney 2016; the National Gallery of Australia; Visual Museum (Kawaguchi); Campbelltown Arts Centre; Artspace; the Museum of Contemporary Art; and the Institute of Modern Art (Brisbane). Andrew has performed at London's Café Oto; Lisbon's Galeria Zed De Bois; Berlin's NK Projekt; Warsaw's Mozg; Melbourne Arts Centre; Metro Arts; Firstdraft Sydney; Serial Space; the NOWnow Festival; Vivid Live; Sound Summit and the Melbourne International Jazz Festival. Andrew currently lives and works in Sydney.

Andrew McLellan is a musician, artist and broadcaster. Andrew’s musical identities include the solo sample-based electronic sounds of Enderie, and the 4-piece post-punk act Cured Pink.

Andrew McLellan

ordinary digital interfaces and technological machines as materials to generate new experiences reinterpreted from the intended consumer use of the digitally banal

Jannah Quill is a Sydney and Melbourne based artist whose experimental approach to the uncasing of electrical processes manifests in installation, performance and recorded sound. 

In her live performances, she sculpts cracked everyday electronics into pulsating, beguiling and menacing fields of static and tone. Her approach to sound-making is heavily influenced by her interest in dance and club music apparatus and the ways in which this can blend with experimental, improvisatory and collaborative music.

Jannah’s music and art practice embraces ordinary digital interfaces and technological machines as materials to generate new experiences reinterpreted from the intended consumer use of the digitally banal. In her hands, solar panels generate audio signal from off-the-shelf lighting products; a laptop’s text-to-speech function becomes vocal samples on thumping techno driven tracks; and game development programs are used to create installations of deconstructed digital imagery.

Jannah Quill is a Sydney and Melbourne based artist whose experimental approach to the uncasing of electrical processes manifests in installation, performance and recorded sound.

Jannah Quill

Wèi Wáng is a voodoo lady living in Taiwan, the tiny jungle island-country in the midst of a the broad Pacific Ocean. This country is also known as Interzone 2.0.

Julia Chien

The fake as a complex sign that shapes new myths, values and contemporary commodity production.

陳雋然 Chun Yin Rainbow Chan works across music, performance and installation. Born in Hong Kong and raised in Sydney, Chan is interested in mistranslations, diaspora and the effects of globalisation on modern Chinese society. Her research engages with the authentic and the copy, exploring sites of exchange and desire which complicate Western notions of originality and appropriate consumption. Central to Chan's work is the circulation of knock-off objects, sounds and images in global media. Her work positions the fake as a complex sign that shapes new myths, values and contemporary commodity production.

Tying together her works across installation and pop music is the relationship between nostalgia, migration and identity. She recently released her debut record Spacings (Silo Arts &amp; Records) which was feature album on FBi Radio, Radio Adelaide, RTRFM, and nominated for a SMAC Award (Record of the Year). Under her techno project, Chunyin, Chan released Code Switch EP on UK label, Off Out, in September. Chan has performed extensively including live appearances at Sydney Opera House, Museum of Contemporary Art, Gallery of Modern Art, Art Gallery of New South Wales, Museum of Old and New Art, and Iceland Airwaves. Her installations have been exhibited with Firstdraft Gallery, Liquid Architecture, 4A Centre for Contemporary Asian Art and Longli International New Media Arts Festival, China.

陳雋然 Chun Yin Rainbow Chan works across music, performance and installation. Born in Hong Kong and raised in Sydney, Chan is interested in mistranslations, diaspora and the effects of globalisation on modern Chinese society.

Chun Yin Rainbow Chan

Live-to-air at Taiwan Community Radio 台北聯合電台 -- 網路直播

Are the airwaves still a battleground?  In the war of the private against the commons, community radio remains a noisy holdout, subverting the profit motive with the collective joy of freely proliferating sound. Broadcasting live from downtown Taipei, Liquid Architecture artists channel the love with a live-to-air set of electronic chaos from the studios of Taiwan Community Radio.

Li(quid)stening
Architecture

流動建築之夜 Liquid Night

Featuring:

流動建築之夜 Liquid Night

Featuring:

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