Chloe Sobek is a composer-performer and electroacoustic experimental sound artist. Her practice is currently centred on the development of a post-anthropocentric sonic practice that encompasses a diversity of enquiry from acoustemology through to noise music. She is invested in what creative practice can do to deconstruct and reshape the way we conceptualise our collective futures. Chloë’s practice is built around the Renaissance precursor to the double bass, the violone. Her creative process couples field-recordings and musique concrète sensibilities such as audio-montage and electronic processing, with a handling of sound as a senate object, unlinked and undefined by its source. 

Chloë has won the Monash Jazz and Improvisation postgraduate award (2021), the 2022 Allan Zavod Performers’ Award, the Marten Bequest Scholarship (2020) and the RMIT Vice Chancellor’s Award (2019). Chloë has also been awarded funding from the City of Melbourne, the Australia Council of the Arts, the Ian Potter Cultural Trust and was a scholarship student at the Australian National Academy of Music. She has presented research and work at the Hochschule für Musik und Theater Hamburg, at TENOR2022 and is co-editor of Recent Networked Music: Performing in and Composing for the Ether issue of Contemporary Music Review (Taylor and Francis). Recent composition and performance highlights include, with the support of the Australia Council of the Arts, the commission to write, record and perform a work for Outlier (Lizzy Welsh and Chloë Sobek) and Tilman Robinson at Melbourne Recital Centre and The Theatre Royal (2021). With the support of the Marten Bequest, the commission to compose and perform a contemporary work for violone (2020) and with the support of the Castlemaine State Festival, the commission to compose and perform an animated score for Outlier (2019). Chloe is a current PhD candidate at Monash University. 

* [Website](https://www.chloesobek.com) 
* [Bandcamp](https://chloesobek.bandcamp.com)

Chloe Sobek is a composer-performer and electroacoustic experimental sound artist. Her practice is currently centred on the development of a post-anthropocentric sonic practice that encompasses a diversity of enquiry from acoustemology through to noise music.

Chloe Sobek

Mun Sing is Wright’s tool to challenge the conventions and aesthetics of modern day club culture.

Mun Sing’s uncompromising ingenuity of sonic weaponry explores bone rattling, fragmented cyber grime and radioactive trap templates. An attack of fluctuating polyrhythms that pan from left to right creating a delirious effect. Amplified dissonant noise. Syncopated and visceral neo-EBM drum patterns that disintegrate, dissolve and accelerate then starkly shrink with an adrenaline fuelled industrial intensity. Mun Sing is Wright’s tool to challenge the conventions and aesthetics of modern day club culture. To experiment with ideas of inclusivity and positivity, influenced by mainstream pop music by injecting pop’s marketing methods into the more serious, austere club world. Dance routines, obnoxious visuals and brash costumes all feature in the live show, where Mun Sing uses these elements as a means to highlight inclusivity, movement and fun. His debut LP ‘Inflatable Gravestone’ was released on Planet Mu in June 2023. 

* [Bandcamp](https://munsing.bandcamp.com)
* [Soundcloud](https://soundcloud.com/munsing)

Mun Sing’s uncompromising ingenuity of sonic weaponry explores bone rattling, fragmented cyber grime and radioactive trap templates. An attack of fluctuating polyrhythms that pan from left to right creating a delirious effect. Amplified dissonant noise. Syncopated and visceral neo-EBM drum patterns that disintegrate, dissolve and accelerate then starkly shrink with an adrenaline fuelled industrial intensity.

Mun Sing

Sylvia, a new shoegaze band from Melbourne, Australia, formed between lockdowns, and provide a wonderful sound that lifts from shoegaze's earlier periods and brings a real powerful and poignant vibe.

Sylvia

Cutting Room are a part of the Melbourne based Steeplejack collective.

Cutting Room

Fragmented cyber grime and radioactive trap templates.

Liquid Architecture invites Bristolian deconstructed club heavy weight Mun Sing to Naarm for an emotive, bass driven live show with local supports from post-dubstep-future-noise punks Cutting Room, poetic grunge angels Sylvia, hyper-shred guitar master crwlr and interstitial dj sets from Chloë Sobek and Rita Bass.

Mun Sing’s uncompromising ingenuity of sonic weaponry explores bone rattling, fragmented cyber grime and radioactive trap templates. An attack of fluctuating polyrhythms that pan from left to right creating a delirious effect. Amplified dissonant noise. Syncopated and visceral neo-EBM drum patterns that disintegrate, dissolve and accelerate then starkly shrink with an adrenaline fuelled industrial intensity.

Mun Sing is Wright’s tool to challenge the conventions and aesthetics of modern day club culture. To experiment with ideas of inclusivity and positivity, influenced by mainstream pop music by injecting pop’s marketing methods into the more serious, austere club world. Dance routines, obnoxious visuals and brash costumes all feature in the live show, where Mun Sing uses these elements as a means to highlight inclusivity, movement and fun. His debut LP 'Inflatable Gravestone' was released on Planet Mu in June 2023.

Li(quid)stening
Architecture

Liquid Architecture Presents: Mun Sing (UK), Cutting Room, Sylvia, crwlr + more

Featuring:

Liquid Architecture Presents: Mun Sing (UK), Cutting Room, Sylvia, crwlr + more

Featuring:

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