Radical Synthesis situates the creative practices of three Narm-based synthesists – Nū, Assembly, and Prudence Rees-Lee – together, at Eastmint.

The three performances of synthesis showcased will seize the material parameters of the music performance ritual in different ways to judo-flip what emerges from it in the direction of various forms of emancipation.

Such practices understand music performance rituals as having an important role to play in the processes of identification, indexation, and inference involved in the reification of collective subjectivities.